[{"data":1,"prerenderedAt":844},["ShallowReactive",2],{"work-list":3},[4,112,181,271,391,452,549,601,646,689,786],{"id":5,"title":6,"body":7,"category":30,"credits":31,"description":73,"extension":74,"grad":75,"hero":76,"media":79,"meta":102,"navigation":101,"order":103,"path":104,"place":105,"seo":106,"stem":107,"thumb":108,"type":109,"year":110,"__hash__":111},"work\u002Fwork\u002F2026-09_robotic_mosaic.md","Robotic Mosaic",{"type":8,"value":9,"toc":26},"minimark",[10,17,20,23],[11,12,13,16],"p",{},[14,15,6],"strong",{}," explores a material-led workflow for transforming irregular ceramic waste into bespoke mosaic surfaces. Instead of forcing reclaimed tiles into a predetermined system, the process begins by perceiving and digitizing what is available. A vision-guided robotic setup identifies each tile’s shape, color, position, and orientation, creating a live material inventory that can evolve as new tiles are introduced.",[11,18,19],{},"Computational algorithms then translate this unpredictable collection into a coherent composition. Using color fields, directional vector fields, surface geometry, and signed distance functions, the system searches for viable positions for each individual tile while respecting its fixed shape and avoiding collisions. The result is not a mosaic generated from standardized digital elements, but a design negotiated between intention and material availability.",[11,21,22],{},"The workflow operates across both planar and free-form surfaces. On flat surfaces, automatic packing can be combined with manual decisions available through a Graphical User Interface. For three-dimensional architectural elements, a robotic arm first excavates and compacts an earth formwork. The tiles are then flipped, oriented, and embedded into the shaped earth before concrete is cast. Once the formwork is removed, the tiles become an integral mosaic finish within the concrete surface.",[11,24,25],{},"By connecting computer vision, computational design, and robotic fabrication, the project reframes waste as a source of possibility. Irregularity is not eliminated or standardized; it becomes an active part of the design process, enabling discarded materials to generate customized architectural surfaces.",{"title":27,"searchDepth":28,"depth":28,"links":29},"",2,[],"computation",[32,38,47,56,65,69],{"role":33,"people":34},"Supervision",[35],{"name":36,"url":37},"Prof. Dr. Benjamin Dillenburger","https:\u002F\u002Fdbt.arch.ethz.ch\u002F",{"role":39,"people":40},"Project Team",[41,42,43,44,45,46],"Dominik Reisach (Project Co-Lead)","Ming-Yang Wang (Project Co-Lead)","Spyridon Pyrgiotis","Ioanna Tatouli","Megi Sinani","Sukhdevsinh Parmar",{"role":48,"people":49},"Workshop Support",[50,51,52,53,54,55],"Tobias Hartmann","Philippe Fleischmann","Luca Petrus","Jonathan Leu","Michael Lyrenmann","Matineh Mahmoudi (Concrete Recipe)",{"role":57,"people":58},"Material Sponsors",[59,62],{"name":60,"url":61},"JOHO Baukeramik + Bäder AG","https:\u002F\u002Fjoho-baukeramik.ch",{"name":63,"url":64},"Ganz Baukeramik AG","https:\u002F\u002Fwww.ganz-baukeramik.ch",{"role":66,"people":67},"Software",[68],"Python, OpenCV, YOLO11, SAM2, Rhino, Grasshopper",{"role":70,"people":71},"Hardware",[72],"ABB IRB1600, Intel RealSense D455f, Digging and Vacuum Gripping End Effectors","Robotic Mosaic explores a material-led workflow for transforming irregular ceramic waste into bespoke mosaic surfaces. Instead of forcing reclaimed tiles into a predetermined system, the process begins by perceiving and digitizing what is available. A vision-guided robotic setup identifies each tile’s shape, color, position, and orientation, creating a live material inventory that can evolve as new tiles are introduced.","md",0,{"src":77,"credit":78},"\u002Fimgs\u002F2026-09_robotic_mosaic\u002Frm9_dr","Mosaic Façade Panel | Photo © Spyridon Pyrgiotis, Ioanna Tatouli",[80,83,86,89,92,95,98],{"src":81,"credit":82},"\u002Fimgs\u002F2026-09_robotic_mosaic\u002Frm1_dr.webm","Graphical User Interface Prototype for Planar Mosaic Fabrication | Video © Dominik Reisach",{"src":84,"credit":85},"\u002Fimgs\u002F2026-09_robotic_mosaic\u002Frm2_dr.webm","Planar Mosaic Fabrication | Video © Dominik Reisach",{"src":87,"credit":88},"\u002Fimgs\u002F2026-09_robotic_mosaic\u002Frm8_dr.webm","Earth Formwork Fabrication | Video © Spyridon Pyrgiotis, Ioanna Tatouli",{"src":90,"credit":91},"\u002Fimgs\u002F2026-09_robotic_mosaic\u002Frm3_dr.webm","Mosaic Fabrication in Earth Formwork | Video © Spyridon Pyrgiotis, Ioanna Tatouli",{"src":93,"credit":94},"\u002Fimgs\u002F2026-09_robotic_mosaic\u002Frm4_dr.webm","Tile Flipping | Video © Spyridon Pyrgiotis, Ioanna Tatouli",{"src":96,"credit":97},"\u002Fimgs\u002F2026-09_robotic_mosaic\u002Frm7_dr.webm","Casting & Demolding | Video © Spyridon Pyrgiotis, Ioanna Tatouli",{"src":99,"credit":100,"portrait":101},"\u002Fimgs\u002F2026-09_robotic_mosaic\u002Frm0_dr","Mosaic Façade Panels | Photo © Spyridon Pyrgiotis, Ioanna Tatouli",true,{},1,"\u002Fwork\u002F2026-09_robotic_mosaic","ETH Zürich, CH",{"title":6,"description":73},"work\u002F2026-09_robotic_mosaic","\u002Fimgs\u002F2026-09_robotic_mosaic\u002Frm0_dr_thumb.avif","Research Project",2025,"C2K1GOeB73AaBhFfmrWVieytLnbfAOpeW77yoMUH-DM",{"id":113,"title":114,"body":115,"category":30,"credits":130,"description":139,"extension":74,"grad":103,"hero":140,"media":143,"meta":172,"navigation":101,"order":28,"path":173,"place":174,"seo":175,"stem":176,"thumb":177,"type":178,"year":179,"__hash__":180},"work\u002Fwork\u002F2026-06_shape_modelling.md","Computational Geometry",{"type":8,"value":116,"toc":128},[117],[11,118,119,120,127],{},"Recent advances in 3D digital geometry processing have created a plenitude of novel concepts for the mathematical representation and interactive manipulation of geometric models. This course covered the fundamentals and some of the latest developments in geometric modeling and digital geometry processing. Topics included surface modeling based on polygonal meshes, surface reconstruction, mesh improvement, discrete differential geometry, interactive shape editing, skinning animation, architectural and structure-aware geometric modeling, and geometry for 3D computational fabrication. ",[121,122,126],"a",{"href":123,"rel":124},"https:\u002F\u002Figl.ethz.ch\u002Fteaching\u002Fshape-modeling\u002Fsm2026\u002F",[125],"nofollow","Text by Interactive Geometry Lab, ETH Zürich",".",{"title":27,"searchDepth":28,"depth":28,"links":129},[],[131,136],{"role":132,"people":133},"Course Website",[134],{"name":135,"url":123},"Shape Modeling and Geometry Processing",{"role":66,"people":137},[138],"C++, libigl","Recent advances in 3D digital geometry processing have created a plenitude of novel concepts for the mathematical representation and interactive manipulation of geometric models. This course covered the fundamentals and some of the latest developments in geometric modeling and digital geometry processing. Topics included surface modeling based on polygonal meshes, surface reconstruction, mesh improvement, discrete differential geometry, interactive shape editing, skinning animation, architectural and structure-aware geometric modeling, and geometry for 3D computational fabrication. Text by Interactive Geometry Lab, ETH Zürich.",{"src":141,"credit":142},"\u002Fimgs\u002F2026-04_computational_geometry\u002Fcg11_dr.webm","Mesh Subdivision | Video @ Dominik Reisach",[144,147,150,153,155,157,160,162,165,168,170],{"src":145,"credit":146},"\u002Fimgs\u002F2026-04_computational_geometry\u002Fcg12_dr.webm","Mesh Subdivision | Video © Dominik Reisach",{"src":148,"credit":149},"\u002Fimgs\u002F2026-04_computational_geometry\u002Fcg31_dr.webm","Point Cloud to Mesh via Implicit Moving Least Squares Function and Marching Cubes | Video © Dominik Reisach",{"src":151,"credit":152},"\u002Fimgs\u002F2026-04_computational_geometry\u002Fcg41_dr.webm","Mesh Parameterization | Video © Dominik Reisach",{"src":154,"credit":152},"\u002Fimgs\u002F2026-04_computational_geometry\u002Fcg42_dr.webm",{"src":156,"credit":152},"\u002Fimgs\u002F2026-04_computational_geometry\u002Fcg43_dr.webm",{"src":158,"credit":159},"\u002Fimgs\u002F2026-04_computational_geometry\u002Fcg51_dr.webm","Mesh Deformation | Video © Dominik Reisach",{"src":161,"credit":159},"\u002Fimgs\u002F2026-04_computational_geometry\u002Fcg52_dr.webm",{"src":163,"credit":164},"\u002Fimgs\u002F2026-04_computational_geometry\u002Fcg61_dr.webm","Skeleton Animation | Video © Dominik Reisach",{"src":166,"credit":167},"\u002Fimgs\u002F2026-04_computational_geometry\u002Fcg62_dr.webm","Skeletal Deformation | Video © Dominik Reisach",{"src":169,"credit":167},"\u002Fimgs\u002F2026-04_computational_geometry\u002Fcg63_dr.webm",{"src":171,"credit":167},"\u002Fimgs\u002F2026-04_computational_geometry\u002Fcg64_dr.webm",{},"\u002Fwork\u002F2026-06_shape_modelling","ETH Zürich, D-INFK, CH",{"title":114,"description":139},"work\u002F2026-06_shape_modelling","\u002Fimgs\u002F2026-04_computational_geometry\u002Fcg00_dr_thumb.avif","Course",2026,"iaXNYl4CZdAZOCXQxyFnAWlFp4lZ9oMeTakWFxPVxrk",{"id":182,"title":183,"body":184,"category":30,"credits":197,"description":188,"extension":74,"grad":28,"hero":229,"media":232,"meta":261,"navigation":101,"order":262,"path":263,"place":264,"seo":265,"stem":266,"thumb":267,"type":268,"year":269,"__hash__":270},"work\u002Fwork\u002F2022-09_offcut-tales.md","Offcut Tales",{"type":8,"value":185,"toc":195},[186,189,192],[11,187,188],{},"This thesis presents methods for upcycling and designing low-engineered free-form timber structure with offcuts—a waste material from timber production. In particular, the focus is on the development of a complete design-to-fabrication workflow that includes the measuring and assembly of offcuts, thus closing the digital chain. The process is streamlined to minimize material waste and facilitate the disassembly and reassembly of offcut structures. In the end, the workflow provides great flexibility and enables the design and realization of a wide range of architectural and structural typologies. However, these potentials are challenged by (1) the high complexity of the offcuts' non-standard geometries, (2) the spatial relationship between the bespoke elements of an assembly, and (3) the condition of the material.",[11,190,191],{},"This research investigated these complex challenges and developed appropriate tools for an architectural design process with upcycled timber. Primarily, these include computational design methods and tools to align and orient offcuts, compute wood joints, and thus to address design-specific parameters. The resulting information was used in integrated data workflows to generate and process fabrication-relevant data. Thereby, it informed and facilitated the handcrafting and robotic fabrication of several prototypes.",[11,193,194],{},"The relevance of this work is demonstrated through the design, robotic fabrication, and assembly of a 1:1 demonstrator. It proved that the integrated design-to-fabrication workflow is feasible to construct low-engineered free-form timber structures with offcuts, and, particularly, that these structures are both structurally and aesthetically viable. In addition, the material-aware design tool is able to minimize fabrication waste and to conceive structures that follow the principle of design-for-disassembly—further contributing to the sustainability of the concept.",{"title":27,"searchDepth":28,"depth":28,"links":196},[],[198,207,213,218,223,226],{"role":33,"people":199},[200,203,206],{"name":201,"url":202},"Prof. Dr. Jan Willmann","https:\u002F\u002Fwww.uni-weimar.de\u002Fen\u002Fart-and-design\u002Fchairs\u002Ftheory-and-history-of-design\u002F",{"name":204,"url":205},"Dr. Sven Schneider","https:\u002F\u002Fwww.uni-weimar.de\u002Fen\u002Farchitecture-and-urbanism\u002Fchairs\u002Finfau\u002Fnews\u002F","Dr. Stephan Schütz",{"role":208,"people":209},"Support",[210],{"name":211,"url":212},"Michael Braun (Photography, Robotic Setup)","https:\u002F\u002Fmichaelbraun-design.de\u002F",{"role":48,"people":214},[215,216,217],"Dr. Christian Hanke","Ringo Gunkel (Wood Workshop)","Matthias Henkelmann (CNC Milling)",{"role":57,"people":219},[220],{"name":221,"url":222},"Rettenmeier Holzindustrie Hirschberg GmbH","https:\u002F\u002Fwww.rettenmeier.com\u002Fen\u002Fcompany\u002Flocations\u002Fhirschberg",{"role":66,"people":224},[225],"C#, Rhino, Grasshopper",{"role":70,"people":227},[228],"UR10e, Milling End Effector",{"src":230,"credit":231},"\u002Fimgs\u002F2022-09_offcut_tales\u002Fot1_dr","Photo © Michael Braun",[233,236,239,242,245,248,250,253,255,257,259],{"src":234,"credit":235},"\u002Fimgs\u002F2022-09_offcut_tales\u002Fot2i_dr","Life Cycle of a Tree © Dominik Reisach",{"src":237,"credit":238},"\u002Fimgs\u002F2022-09_offcut_tales\u002Fot3_dr","Computational Upcycling Workflow © Dominik Reisach",{"src":240,"credit":241},"\u002Fimgs\u002F2022-09_offcut_tales\u002Fot4i_dr","Demonstrator Design © Dominik Reisach",{"src":243,"credit":244},"\u002Fimgs\u002F2022-09_offcut_tales\u002Fot13_dr.webm","Custom Grasshopper Plugin | Video © Dominik Reisach",{"src":246,"credit":247,"portrait":101},"\u002Fimgs\u002F2022-09_offcut_tales\u002Fot6_dr.webm","Video © Dominik Reisach",{"src":249,"credit":247,"portrait":101},"\u002Fimgs\u002F2022-09_offcut_tales\u002Fot7_dr.webm",{"src":251,"credit":252},"\u002Fimgs\u002F2022-09_offcut_tales\u002Fot8_dr.webm","Video © Michael Braun",{"src":254,"credit":231},"\u002Fimgs\u002F2022-09_offcut_tales\u002Fot9_dr",{"src":256,"credit":231},"\u002Fimgs\u002F2022-09_offcut_tales\u002Fot10_dr",{"src":258,"credit":231},"\u002Fimgs\u002F2022-09_offcut_tales\u002Fot11_dr",{"src":260,"credit":231},"\u002Fimgs\u002F2022-09_offcut_tales\u002Fot12_dr",{},3,"\u002Fwork\u002F2022-09_offcut-tales","Bauhaus-Universität Weimar, Faculty of Architecture and Urbanism, DE",{"title":183,"description":188},"work\u002F2022-09_offcut-tales","\u002Fimgs\u002F2022-09_offcut_tales\u002Fot0_dr_thumb.avif","Master's Thesis",2022,"MXMZp-gDfhCzL0UgEy40hhsI94pC52j8gtTcbpdvq-E",{"id":272,"title":273,"body":274,"category":289,"credits":290,"description":363,"extension":74,"grad":262,"hero":364,"media":367,"meta":381,"navigation":101,"order":382,"path":383,"place":384,"seo":385,"stem":386,"thumb":387,"type":388,"year":389,"__hash__":390},"work\u002Fwork\u002F2023-06_circubi.md","CircÛbi",{"type":8,"value":275,"toc":287},[276],[11,277,278,279,281,282,127],{},"In summer 2022, three temporary wooden buildings — the Huber Pavilions — had to make way for a new building on the ETH Hönggerberg campus. The ",[14,280,273],{}," teaching project took advantage of this opportunity: under the co-leadership of two ETH professors, civil engineer Catherine De Wolf and architect Momoyo Kaijima, students collected the construction elements (or components) of the dismantled teaching buildings in order to reuse the materials according to the principle of the circular economy. For an entire semester, around 30 students from the fields of civil engineering, architecture, mechanical engineering, computer science and materials science worked together on issues relating to the reuse of building materials. In order to master the logistical Herculean task, they inventoried the components with lasered QR codes and thus created a digitalised interface — which enabled them to create a new building from reused wooden components: the Re-Use Pavilion on the ETH Hönggerberg campus. The work of art of the circular economy has now been honoured with the Swiss Architecture Prize Arc Award in the \"Next Generation\" category. ",[121,283,286],{"href":284,"rel":285},"https:\u002F\u002Fbaug.ethz.ch\u002Fen\u002Fnews-and-events\u002Fnews\u002F2023\u002F11\u002Fan-excellent-pavilion-for-circular-construction.html",[125],"Text by CEA, ETH Zürich",{"title":27,"searchDepth":28,"depth":28,"links":288},[],"design",[291,297,305,319,351],{"role":292,"people":293},"Award",[294],{"name":295,"url":296},"arc award 2023 winner","https:\u002F\u002Fwww.baudokumentation.ch\u002Fprojekt\u002Fre-use-pavillon-eth-campus-hoenggerberg\u002F948556?s=2&d=c&aw=type;b&pos=1",{"role":33,"people":298},[299,302],{"name":300,"url":301},"Prof. Momoyo Kaijima","https:\u002F\u002Fkaijima.arch.ethz.ch\u002F",{"name":303,"url":304},"Prof. Dr. Catherine De Wolf","https:\u002F\u002Fcea.ibi.ethz.ch\u002F",{"role":306,"people":307},"Teaching Team",[308,309,310,311,312,313,314,315,316,317,318],"Elias Knecht","Inés Ariza","Martin Bucher","Anna Buser","Brandon Byers","Matthew Gordon","Dr. Meliha Honic","Beril Önalan","Deepika Raghu","Arabelle de Saussure","Heidi Silvennoinen",{"role":320,"people":321},"Student Team",[322,323,324,325,326,327,328,329,330,331,332,333,334,335,336,337,338,339,340,341,342,343,344,345,346,347,348,349,350],"Cashen Adkins","Carole Désirée Allenbach","Alan Michel von Arx Carrascal","Monica-Mariana Ciobotar","Emma Maria Zeindl Cronin","Béla Dalcher","Vadym Gerashchenkov","Yu Han","Mu He","Xi Huang","Filip Stanislavov Kalapish","Robin Karutz","Konrad Michael Kramer","Samuel Marc Labhard","Maxime Lanter","Andreas Lanz","Zhaoye Li","Loukas Mettas","Despoina Papadopoulou","Giona Luca Peter","Yannick Reich","Dominik Reisach","Michelle Tanja Schenk","Tim Stettler","Marvin Huck Dirk Trottmann","Claudia La Valle","Araceli Rodriguez Vallejo","Hanshuo Wu","Lukas Zink",{"role":352,"people":353},"Collaborations",[354,357,360],{"name":355,"url":356},"baubüro in situ ag","https:\u002F\u002Finsitu.ch",{"name":358,"url":359},"Wiederverwerkle GmbH","https:\u002F\u002Fwww.wiederverwerkle.ch\u002F",{"name":361,"url":362},"B3 Kolb AG","https:\u002F\u002Fwww.b-3.ch\u002F","In summer 2022, three temporary wooden buildings — the Huber Pavilions — had to make way for a new building on the ETH Hönggerberg campus. The CircÛbi teaching project took advantage of this opportunity: under the co-leadership of two ETH professors, civil engineer Catherine De Wolf and architect Momoyo Kaijima, students collected the construction elements (or components) of the dismantled teaching buildings in order to reuse the materials according to the principle of the circular economy. For an entire semester, around 30 students from the fields of civil engineering, architecture, mechanical engineering, computer science and materials science worked together on issues relating to the reuse of building materials. In order to master the logistical Herculean task, they inventoried the components with lasered QR codes and thus created a digitalised interface — which enabled them to create a new building from reused wooden components: the Re-Use Pavilion on the ETH Hönggerberg campus. The work of art of the circular economy has now been honoured with the Swiss Architecture Prize Arc Award in the \"Next Generation\" category. Text by CEA, ETH Zürich.",{"src":365,"credit":366},"\u002Fimgs\u002F2023-06_circubi\u002Fhr1_dr","Photo © Elias Knecht",[368,370,372,374,376,378],{"src":369,"credit":366},"\u002Fimgs\u002F2023-06_circubi\u002Fhr2_dr",{"src":371,"credit":366},"\u002Fimgs\u002F2023-06_circubi\u002Fhr3_dr",{"src":373,"credit":366},"\u002Fimgs\u002F2023-06_circubi\u002Fhr4_dr",{"src":375,"credit":366},"\u002Fimgs\u002F2023-06_circubi\u002Fhr5_dr",{"src":377,"credit":366},"\u002Fimgs\u002F2023-06_circubi\u002Fhr6_dr",{"src":379,"credit":380},"\u002Fimgs\u002F2023-06_circubi\u002Fhr7_dr","Photo © Dominik Reisach",{},4,"\u002Fwork\u002F2023-06_circubi","ETH Zürich, D-ARCH & D-BAUG, CH",{"title":273,"description":363},"work\u002F2023-06_circubi","\u002Fimgs\u002F2023-06_circubi\u002Fhr0_dr_thumb.avif","Design–Build Project",2023,"O3vnhqV9bjnsO5eboDSEYdv0L6ekfwuBRUh5ovptHMQ",{"id":392,"title":393,"body":394,"category":289,"credits":406,"description":427,"extension":74,"grad":75,"hero":428,"media":431,"meta":442,"navigation":101,"order":443,"path":444,"place":445,"seo":446,"stem":447,"thumb":448,"type":449,"year":450,"__hash__":451},"work\u002Fwork\u002F2018-12_sonnenstrasse.md","Sonnenstrasse",{"type":8,"value":395,"toc":404},[396],[11,397,398,399,127],{},"The defining architectural features of this design are transparency, structural clarity, a place of prominence within the urban context and a symbiotic relationship between the office units and the exterior space. This roughly 2,400-square-meter site is located in downtown Munich in a traditional neighborhood characterized by the typical modernist architecture of the post-war period. With its unique C-shape, the building encircles a large interior courtyard and takes maximum advantage of the natural light all year round. We developed our climatic concept by tracking the movement of the sun and analyzing the precise amount of light that penetrates the façade. The use of solar shading and glare protection elements as well as cooling systems ensure that the interior spaces are shaded and cool during the summer months. The façade is defined by a series of alternating round and square columns; the former reminiscent of ancient colonnades and the latter made of solid concrete. An outer shell lined with folding glass doors is used for ventilation, transforming the main façade into a perpetually evolving image as these \"wings\" open and close to varying degrees. The materials we used further accentuate this multi-layered effect: brass-colored metal slats contrast with the light grey concrete of the outer shell. The new building has an open and inviting appearance. The ground floor offers space for retail and hospitality units in a variety of flexible floorplans. In keeping with the attractive location, the upper floors offer bright, generous office spaces, which can be adapted for various uses and accommodate traditional as well as innovative workplace designs. Our multifunctional floorplans work with a wide range of office models, from \"hot-desk\" spaces to fixed workstations as well as business club, cellular and open plan offices — or any combination thereof. ",[121,400,403],{"href":401,"rel":402},"https:\u002F\u002Fwww.allmannwappner.com\u002Fen\u002Fprojekte\u002F11787\u002Foffice-and-retail-building-sonnenstrasse-munich",[125],"Text by Allmann Wappner Architekten",{"title":27,"searchDepth":28,"depth":28,"links":405},[],[407,410,416,423],{"role":292,"people":408},[409],"1st Prize",{"role":411,"people":412},"Office",[413],{"name":414,"url":415},"Allmann Wappner Architekten","https:\u002F\u002Fwww.allmannwappner.com\u002Fen\u002F",{"role":39,"people":417},[418,419,420,343,421,422],"Alexandra Wagner (Design Direction)","Philipp Vogeley (Lead)","Simon Kochhan","Timm Traxler","Nicolas Wolf",{"role":424,"people":425},"Visualization",[426],"Forbes Massie Studio","The defining architectural features of this design are transparency, structural clarity, a place of prominence within the urban context and a symbiotic relationship between the office units and the exterior space. This roughly 2,400-square-meter site is located in downtown Munich in a traditional neighborhood characterized by the typical modernist architecture of the post-war period. With its unique C-shape, the building encircles a large interior courtyard and takes maximum advantage of the natural light all year round. We developed our climatic concept by tracking the movement of the sun and analyzing the precise amount of light that penetrates the façade. The use of solar shading and glare protection elements as well as cooling systems ensure that the interior spaces are shaded and cool during the summer months. The façade is defined by a series of alternating round and square columns; the former reminiscent of ancient colonnades and the latter made of solid concrete. An outer shell lined with folding glass doors is used for ventilation, transforming the main façade into a perpetually evolving image as these \"wings\" open and close to varying degrees. The materials we used further accentuate this multi-layered effect: brass-colored metal slats contrast with the light grey concrete of the outer shell. The new building has an open and inviting appearance. The ground floor offers space for retail and hospitality units in a variety of flexible floorplans. In keeping with the attractive location, the upper floors offer bright, generous office spaces, which can be adapted for various uses and accommodate traditional as well as innovative workplace designs. Our multifunctional floorplans work with a wide range of office models, from \"hot-desk\" spaces to fixed workstations as well as business club, cellular and open plan offices — or any combination thereof. Text by Allmann Wappner Architekten.",{"src":429,"credit":430},"\u002Fimgs\u002F2018-12_sonnenstrasse\u002Fst0_dr","© Allmann Wappner Architekten",[432,434,436,438,440],{"src":433,"credit":430},"\u002Fimgs\u002F2018-12_sonnenstrasse\u002Fst2_dr",{"src":435,"credit":430},"\u002Fimgs\u002F2018-12_sonnenstrasse\u002Fst3_dr",{"src":437,"credit":430},"\u002Fimgs\u002F2018-12_sonnenstrasse\u002Fst4_dr",{"src":439,"credit":430},"\u002Fimgs\u002F2018-12_sonnenstrasse\u002Fst5_dr",{"src":441,"credit":430},"\u002Fimgs\u002F2018-12_sonnenstrasse\u002Fst6_dr",{},5,"\u002Fwork\u002F2018-12_sonnenstrasse","Sonnenstrasse, Munich, DE",{"title":393,"description":427},"work\u002F2018-12_sonnenstrasse","\u002Fimgs\u002F2018-12_sonnenstrasse\u002Fst0_dr_thumb.avif","Competition",2019,"k12LPwDbDOzBcv8wKl9hPgMd8ZYav-DUJ3EGffekwGk",{"id":453,"title":454,"body":455,"category":289,"credits":464,"description":500,"extension":74,"grad":103,"hero":501,"media":503,"meta":541,"navigation":101,"order":542,"path":543,"place":544,"seo":545,"stem":546,"thumb":547,"type":388,"year":110,"__hash__":548},"work\u002Fwork\u002F2025-10_reversible-designs.md","Reversible Designs",{"type":8,"value":456,"toc":462},[457],[11,458,459,461],{},[14,460,454],{}," was a seminar week taught at ETH Zürich that explored reversible design and hands-on construction within ETH Hangar in Dübendorf, CH. The site’s asphalted forecourt, formerly used for aircraft, currently lacked seating and shade. In dialogue with the students working at ETH Hangar in mobility, robotics, energy, and aerospace, participants developed modular furniture systems tailored to the diverse needs of their users. Working with recycled and leftover materials, the workshop introduced principles of furniture design, upcycling, and digital fabrication. Participants used the Shaper Origin hand-held CNC router to develop contemporary, reversible timber joints and investigate how design-for-disassembly can extend the life of materials and objects. The seminar week culminated in the full-scale production of several furniture objects.",{"title":27,"searchDepth":28,"depth":28,"links":463},[],[465,479],{"role":466,"people":467},"Teaching & Organisation Team",[468,343,471,474,477],{"name":469,"url":470},"Yves Ebnöther (ZHaW)","https:\u002F\u002Febnoether.com",{"name":472,"url":473},"Thierry Tardent (ETH Hangar)","https:\u002F\u002Fpartnerships.ethz.ch\u002Fabout-us\u002Fteam-innovation-park.html",{"name":475,"url":476},"Anne Fabritius","https:\u002F\u002Fwww.langenberg.arch.ethz.ch",{"name":478},"Clément Estreicher",{"role":320,"people":480},[481,482,483,484,485,486,487,488,489,490,491,492,493,494,495,496,497,498,499],"William Boger","Tobias Bolt","Lucia Decalf","Sara Frei","Karin Gromann","Nils Hegi","Noah Hermle","Peer Hess","Frederic Holstein","Bettina Lehrer","Till Moosberger","Isabella Mündle","Max Orban","Viviane Seiz","Jael Spalinger","Julian Traugott","Joris Weiss","Antonia Maria Wutte","Margaryta Zimarina","Reversible Designs was a seminar week taught at ETH Zürich that explored reversible design and hands-on construction within ETH Hangar in Dübendorf, CH. The site’s asphalted forecourt, formerly used for aircraft, currently lacked seating and shade. In dialogue with the students working at ETH Hangar in mobility, robotics, energy, and aerospace, participants developed modular furniture systems tailored to the diverse needs of their users. Working with recycled and leftover materials, the workshop introduced principles of furniture design, upcycling, and digital fabrication. Participants used the Shaper Origin hand-held CNC router to develop contemporary, reversible timber joints and investigate how design-for-disassembly can extend the life of materials and objects. The seminar week culminated in the full-scale production of several furniture objects.",{"src":502,"credit":380},"\u002Fimgs\u002F2025-10_reversible_designs\u002Frd_09",[504,507,510,513,516,519,522,525,528,531,534,536,538],{"src":505,"credit":506},"\u002Fimgs\u002F2025-10_reversible_designs\u002Frd_02","Reclaimed wood for the furniture| Photo © Dominik Reisach",{"src":508,"credit":509},"\u002Fimgs\u002F2025-10_reversible_designs\u002Frd_03","Shaper Origin | Photo © Dominik Reisach",{"src":511,"credit":512},"\u002Fimgs\u002F2025-10_reversible_designs\u002Frd_05","Pop-Up Workshop @ ETH Hangar | Photo © Dominik Reisach",{"src":514,"credit":515},"\u002Fimgs\u002F2025-10_reversible_designs\u002Frd_12","Heilige Dreihaltigkeit | Photo © Tobias Bolt, Margaryta Zimarina, Joris Weiss, Julian Traugott",{"src":517,"credit":518},"\u002Fimgs\u002F2025-10_reversible_designs\u002Frd_17","Am Band | Photo © Yves Ebnöther",{"src":520,"credit":521,"portrait":101},"\u002Fimgs\u002F2025-10_reversible_designs\u002Frd_19","Hangbar | Photo © Yves Ebnöther",{"src":523,"credit":524,"portrait":101},"\u002Fimgs\u002F2025-10_reversible_designs\u002Frd_14","Photo © Bettina Lehrer, Jael Spalinger, William Boger, Frederic Holstein",{"src":526,"credit":527},"\u002Fimgs\u002F2025-10_reversible_designs\u002Frd_07","Un-Focus Chair | Photo © Dominik Reisach",{"src":529,"credit":530,"portrait":101},"\u002Fimgs\u002F2025-10_reversible_designs\u002Frd_18","Clothes Hanger | Photo © Yves Ebnöther",{"src":532,"credit":533,"portrait":101},"\u002Fimgs\u002F2025-10_reversible_designs\u002Frd_11","Brett À Porter | Photo © Nils Hegi, Noah Hermle, Max Orban, Peer Hess",{"src":535,"credit":533},"\u002Fimgs\u002F2025-10_reversible_designs\u002Frd_10",{"src":537,"credit":380},"\u002Fimgs\u002F2025-10_reversible_designs\u002Frd_16",{"src":539,"credit":540},"\u002Fimgs\u002F2025-10_reversible_designs\u002Frd_00","Student & Teaching Team | Photo © Max Orban",{},6,"\u002Fwork\u002F2025-10_reversible-designs","ETH Zürich, D-ARCH, CH",{"title":454,"description":500},"work\u002F2025-10_reversible-designs","\u002Fimgs\u002F2025-10_reversible_designs\u002F00_rd_thumb.avif","nfAHkVQGkjbZmJGA8lRahRdLe5WIVB0msbRaUfGdeoM",{"id":550,"title":551,"body":552,"category":289,"credits":567,"description":578,"extension":74,"grad":28,"hero":579,"media":582,"meta":591,"navigation":101,"order":592,"path":593,"place":594,"seo":595,"stem":596,"thumb":597,"type":598,"year":599,"__hash__":600},"work\u002Fwork\u002F2024-05_untangled-entangled.md","Untangled | Entangled",{"type":8,"value":553,"toc":565},[554,559,562],[11,555,556,558],{},[14,557,551],{}," is a participatory public installation exploring the hidden connections between global supply chains, environmental impact, and local communities. Located at Balti Jaam, Tallinn’s historic transportation hub, the project reuses discarded concrete railroad sleepers and reclaimed rails to create a series of reversible, shelf-like structures. Their industrial materiality recalls the site’s history while transforming waste into a flexible architectural scaffold.",[11,560,561],{},"The installation is designed to evolve through community participation. Local residents are invited to identify desired uses for the space through surveys, design workshops, and public voting. Depending on the community’s needs, the scaffold may become a public living room, library, outdoor kitchen, playground, bar, or community garden. Simple, reversible construction methods make it possible for people without specialist skills to contribute directly.",[11,563,564],{},"The installation aims to create more than a temporary pavilion. It demonstrates how collective action, material reuse, and local knowledge can transform an overlooked urban space into an inclusive, adaptable community environment shaped by the people who use it.",{"title":27,"searchDepth":28,"depth":28,"links":566},[],[568,573],{"role":449,"people":569},[570],{"name":571,"url":572},"Tallinn Architecture Biennale 2024","https:\u002F\u002F2024.tab.ee",{"role":39,"people":574},[575,576,343,577],"Hector Gruntdal Grønborg","Lavinia Krick","Lia Zinngrebe","Untangled | Entangled is a participatory public installation exploring the hidden connections between global supply chains, environmental impact, and local communities. Located at Balti Jaam, Tallinn’s historic transportation hub, the project reuses discarded concrete railroad sleepers and reclaimed rails to create a series of reversible, shelf-like structures. Their industrial materiality recalls the site’s history while transforming waste into a flexible architectural scaffold.",{"src":580,"credit":581},"\u002Fimgs\u002F2024-05_untangled_entangled\u002Fue2_dr","© Hector Gruntdal Grønborg, Lavinia Krick, Dominik Reisach, Lia Zinngrebe",[583,586,588],{"src":584,"credit":585},"\u002Fimgs\u002F2024-05_untangled_entangled\u002Fue1_dr","Participatory Construction Process © Hector Gruntdal Grønborg, Lavinia Krick, Dominik Reisach, Lia Zinngrebe",{"src":587,"credit":581},"\u002Fimgs\u002F2024-05_untangled_entangled\u002Fue3_dr",{"src":589,"credit":590,"portrait":101},"\u002Fimgs\u002F2024-05_untangled_entangled\u002Fue4_dr","Available Material for Reuse | Photo © TAB2024",{},7,"\u002Fwork\u002F2024-05_untangled-entangled","Tallinn, EE",{"title":551,"description":578},"work\u002F2024-05_untangled-entangled","\u002Fimgs\u002F2024-05_untangled_entangled\u002Fue0_dr_thumb.avif","Installation Competition",2024,"sLhxRQGnsI2F4unN51wUIPejB_44Z8ZNpc9LkyVM0Bk",{"id":602,"title":603,"body":604,"category":289,"credits":611,"description":608,"extension":74,"grad":262,"hero":625,"media":627,"meta":638,"navigation":101,"order":639,"path":640,"place":641,"seo":642,"stem":643,"thumb":644,"type":449,"year":450,"__hash__":645},"work\u002Fwork\u002F2019-07_appelstrasse.md","Appelstrasse",{"type":8,"value":605,"toc":609},[606],[11,607,608],{},"The competition proposal for a new façade of the high-rise at Appelstrasse in Hanover, Germany, aimed to strengthen the buildings presence as a landmark while responding sensitively to its urban context. An elegant, lightweight envelope transitions in colour from anthracite at the lower levels to white above, merging visually with the sky. The existing asbestos- and mineral-fibre-based façade is replaced by a largely recyclable construction using wood, glass, metal and prefabricated aerated-concrete parapets. A double-skin façade combines a robust inner layer with a delicate outer layer of operable glass louvers. Together with integrated solar shading, natural ventilation and night cooling, it forms a dynamic climate envelope that improves thermal comfort, daylight and energy performance while reducing dependence on complex building services. At ground level, the façade is opened and set back to expand the campus cafeteria and create a new public space. Dark metal cladding and generous glazing define the entrance zone, while the stair tower is distinguished by black brickwork. The modular 1.2-meter grid is retained to support flexible future layouts. Prefabricated, dry-assembled components enable a phased renovation while the building remains in operation. Maintenance and replacement are designed to be carried out from inside or within the façade cavity, eliminating the need for extensive access equipment.",{"title":27,"searchDepth":28,"depth":28,"links":610},[],[612,615,620],{"role":411,"people":613},[614],{"name":414,"url":415},{"role":39,"people":616},[419,617,343,618,619],"Maximilian Jüngling (Project Lead)","Štěpánka Úlehlová","Simon Köppl",{"role":424,"people":621},[622],{"name":623,"url":624},"Grauwald Studio","https:\u002F\u002Fgrauwald-studio.com\u002F",{"src":626,"credit":430},"\u002Fimgs\u002F2019-07_appelstrasse\u002Fuh7_dr",[628,630,632,634,636],{"src":629,"credit":430},"\u002Fimgs\u002F2019-07_appelstrasse\u002Fuh2_dr",{"src":631,"credit":430},"\u002Fimgs\u002F2019-07_appelstrasse\u002Fuh3_dr",{"src":633,"credit":430},"\u002Fimgs\u002F2019-07_appelstrasse\u002Fuh4_dr",{"src":635,"credit":430},"\u002Fimgs\u002F2019-07_appelstrasse\u002Fuh5_dr",{"src":637,"credit":430,"portrait":101},"\u002Fimgs\u002F2019-07_appelstrasse\u002Fuh0_dr",{},8,"\u002Fwork\u002F2019-07_appelstrasse","Façade Refurbishment Appelstrasse, Hanover, DE",{"title":603,"description":608},"work\u002F2019-07_appelstrasse","\u002Fimgs\u002F2019-07_appelstrasse\u002Fuh0_dr_thumb.avif","Ebb6gj0VsfOC0r5lvvmYEUG7RcRpoirETWn2BA3o9Ec",{"id":647,"title":648,"body":649,"category":289,"credits":656,"description":653,"extension":74,"grad":75,"hero":664,"media":667,"meta":680,"navigation":101,"order":681,"path":682,"place":683,"seo":684,"stem":685,"thumb":686,"type":449,"year":687,"__hash__":688},"work\u002Fwork\u002F2021-06-reboat.md","Re:Boat",{"type":8,"value":650,"toc":654},[651],[11,652,653],{},"Living by the water – the reason why so many people are drawn to coastal towns. But why not live on the water and tackle the issues of housing shortages and urban sprawl? This design proposal suggests a floating tiny home that is reachable by boat. Yet, this proposal also addresses a second issue: Sailing boat graveyards. The floating houseboat makes use of everything there is to find. Fiberglass masts become the frame structure of the houseboat, joined with sailing ropes. Shredded glass fibers from hulls are packed into sails to become insulation or are processed into cladding for the interior walls. The boat windows become windows for the houseboat, while the wooden deck becomes cladding for the floor and façade. Equipped with these materials, the houseboat presents itself in a simplistic and timeless design. Its unfoldable furniture in the living space is hidden in the floor and the wall, whereas the sleeping area is on top of the bathroom to save space. To ensure independence from the grid, the houseboat is equipped with solar panels to generate electricity, a hydroponic system to grow vegetables, and a modern water management circulation system.",{"title":27,"searchDepth":28,"depth":28,"links":655},[],[657,662],{"role":449,"people":658},[659],{"name":660,"url":661},"Buildner Microhome Competition #3","https:\u002F\u002Farchitecturecompetitions.com\u002Fmicrohome2021",{"role":39,"people":663},[343,577],{"src":665,"credit":666},"\u002Fimgs\u002F2021-06_reboat\u002Fre1_dr","© Dominik Reisach, Lia Zinngrebe",[668,670,672,674,676,678],{"src":669,"credit":666},"\u002Fimgs\u002F2021-06_reboat\u002Fre2_dr",{"src":671,"credit":666},"\u002Fimgs\u002F2021-06_reboat\u002Fre3_dr",{"src":673,"credit":666},"\u002Fimgs\u002F2021-06_reboat\u002Fre4_dr",{"src":675,"credit":666},"\u002Fimgs\u002F2021-06_reboat\u002Fre5_dr",{"src":677,"credit":666},"\u002Fimgs\u002F2021-06_reboat\u002Fre6_dr",{"src":679,"credit":666},"\u002Fimgs\u002F2021-06_reboat\u002Fre7_dr",{},9,"\u002Fwork\u002F2021-06-reboat",null,{"title":648,"description":653},"work\u002F2021-06-reboat","\u002Fimgs\u002F2021-06_reboat\u002Fre0_dr_thumb.avif",2021,"9iQYMa2uEV2Hw9W_b30c4TLok3Ul_eMqUG4zYClK0GU",{"id":690,"title":691,"body":692,"category":723,"credits":724,"description":748,"extension":74,"grad":103,"hero":749,"media":752,"meta":777,"navigation":101,"order":778,"path":779,"place":780,"seo":781,"stem":782,"thumb":783,"type":784,"year":179,"__hash__":785},"work\u002Fwork\u002F2026-05_foc26.md","FoC 2026",{"type":8,"value":693,"toc":721},[694,706,709,712,715,718],[11,695,696,697,700,701,127],{},"The ",[14,698,699],{},"2026 Future of Construction"," symposium explored how technology shapes the way we design and build. The main topic was the accelerating convergence of technological domains in architecture, engineering, and construction (AEC) and how they invite us to rethink human capability, skill, and agency. At this intersection, AI, extended reality, and robotics are transforming digital fabrication and augmented design into active sites of experimentation. The “Construction of Future\u002Fs” 2026 edition discussed how these technologies are reshaping modes of practice and which futures they might construct. ",[121,702,705],{"href":703,"rel":704},"https:\u002F\u002Ffutureofconstruction.ethz.ch",[125],"Text by Future of Construction 2026",[11,707,708],{},"The workshop program brought together nine teams, comprising 32 tutors and 119 participants. Each workshop explored a distinct topic related to the symposium’s overarching questions:",[11,710,711],{},"(1) Why does technological convergence matter?",[11,713,714],{},"(2) Why collaborate with machines?",[11,716,717],{},"(3) What, where, and how should we build?",[11,719,720],{},"(4) Why change how we practice?",{"title":27,"searchDepth":28,"depth":28,"links":722},[],"misc",[725,730,735],{"role":726,"people":727},"Conference",[728],{"name":729,"url":703},"Future of Construction 2026",{"role":731,"people":732},"Workshop Organization Team",[733,343,734],"Dr. Inés Ariza","Chenjie Hu",{"role":736,"people":737},"Conference Organization Team",[738,739,740,733,741,742,743,744,745,343,746,747],"Dr. Danielle Griego","Dr. Russell Loveridge","Dr. Anton Savov","Clara Blum","Dr. Mikhael Johanes","Alessandra Gabaglio","Fábio Alexandre Porfírio da Costa","Alexandra Moisi","Dr. Ricardo Maia Avelino","Dr. Eavan Dorcey","The 2026 Future of Construction symposium explored how technology shapes the way we design and build. The main topic was the accelerating convergence of technological domains in architecture, engineering, and construction (AEC) and how they invite us to rethink human capability, skill, and agency. At this intersection, AI, extended reality, and robotics are transforming digital fabrication and augmented design into active sites of experimentation. The “Construction of Future\u002Fs” 2026 edition discussed how these technologies are reshaping modes of practice and which futures they might construct. Text by Future of Construction 2026.",{"src":750,"credit":751},"\u002Fimgs\u002F2026-05_foc26\u002F00_foc","© Future of Construction 2026",[753,756,759,762,765,768,771,774],{"src":754,"credit":755},"\u002Fimgs\u002F2026-05_foc26\u002F01_12_angry_agents","12 Angry Agents | Photo © Inés Ariza",{"src":757,"credit":758},"\u002Fimgs\u002F2026-05_foc26\u002F02_actionable_repair","Actionable Repair via Multimodal AI | Photo © Ewa Maciejewski",{"src":760,"credit":761},"\u002Fimgs\u002F2026-05_foc26\u002F03_bit2beam","Bit-2-beam | Photo © Inés Ariza",{"src":763,"credit":764},"\u002Fimgs\u002F2026-05_foc26\u002F04_embodied_interaction","Embodied Interaction in Construction | Photo © Ewa Maciejewski",{"src":766,"credit":767},"\u002Fimgs\u002F2026-05_foc26\u002F05_future_follies","Future Follies | Photo © Ewa Maciejewski",{"src":769,"credit":770},"\u002Fimgs\u002F2026-05_foc26\u002F06_robot-friendly_construction_systems","Robot-Friendly Construction Systems | Photo © Dominik Reisach",{"src":772,"credit":773},"\u002Fimgs\u002F2026-05_foc26\u002F07_embodied_agents","Robots and Embodied Agents in Collaborative Construction | Photo © Ewa Maciejewski",{"src":775,"credit":776},"\u002Fimgs\u002F2026-05_foc26\u002F09_under_the_canopy","Under the Canopy | Photo © Ewa Maciejewski",{},10,"\u002Fwork\u002F2026-05_foc26","ETH Zürich, Design++, NCCR Digital Fabrication, CH",{"title":691,"description":748},"work\u002F2026-05_foc26","\u002Fimgs\u002F2026-05_foc26\u002F00_foc_thumb.avif","Conference Workshop Program","pv_5GnRJ4s3QIgiVHm-8q4Psz9kW2HzwcgRGtDGXeqE",{"id":787,"title":788,"body":789,"category":723,"credits":683,"description":27,"extension":74,"grad":28,"hero":793,"media":795,"meta":836,"navigation":101,"order":837,"path":838,"place":839,"seo":840,"stem":841,"thumb":842,"type":788,"year":683,"__hash__":843},"work\u002Fwork\u002F0000-00_photography.md","Photography",{"type":8,"value":790,"toc":791},[],{"title":27,"searchDepth":28,"depth":28,"links":792},[],{"src":794,"credit":380},"\u002Fimgs\u002F0000-00_photography\u002Fp1_dr",[796,798,800,802,804,806,808,810,812,814,816,818,820,822,824,826,828,830,832,834],{"src":797,"credit":380},"\u002Fimgs\u002F0000-00_photography\u002Fp2_dr",{"src":799,"credit":380},"\u002Fimgs\u002F0000-00_photography\u002Fp3_dr",{"src":801,"credit":380},"\u002Fimgs\u002F0000-00_photography\u002Fp4_dr",{"src":803,"credit":380},"\u002Fimgs\u002F0000-00_photography\u002Fp5_dr",{"src":805,"credit":380},"\u002Fimgs\u002F0000-00_photography\u002Fp6_dr",{"src":807,"credit":380,"portrait":101},"\u002Fimgs\u002F0000-00_photography\u002Fp8_dr",{"src":809,"credit":380,"portrait":101},"\u002Fimgs\u002F0000-00_photography\u002Fp14_dr",{"src":811,"credit":380},"\u002Fimgs\u002F0000-00_photography\u002Fp9_dr",{"src":813,"credit":380},"\u002Fimgs\u002F0000-00_photography\u002Fp10_dr",{"src":815,"credit":380},"\u002Fimgs\u002F0000-00_photography\u002Fp11_dr",{"src":817,"credit":380},"\u002Fimgs\u002F0000-00_photography\u002Fp12_dr",{"src":819,"credit":380},"\u002Fimgs\u002F0000-00_photography\u002Fp13_dr",{"src":821,"credit":380},"\u002Fimgs\u002F0000-00_photography\u002Fp16_dr",{"src":823,"credit":380},"\u002Fimgs\u002F0000-00_photography\u002Fp17_dr",{"src":825,"credit":380},"\u002Fimgs\u002F0000-00_photography\u002Fp18_dr",{"src":827,"credit":380,"portrait":101},"\u002Fimgs\u002F0000-00_photography\u002Fp20_dr",{"src":829,"credit":380,"portrait":101},"\u002Fimgs\u002F0000-00_photography\u002Fp21_dr",{"src":831,"credit":380},"\u002Fimgs\u002F0000-00_photography\u002Fp19_dr",{"src":833,"credit":380,"portrait":101},"\u002Fimgs\u002F0000-00_photography\u002Fp23_dr",{"src":835,"credit":380,"portrait":101},"\u002Fimgs\u002F0000-00_photography\u002Fp15_dr",{},11,"\u002Fwork\u002F0000-00_photography","Anywhere on Earth",{"title":788,"description":27},"work\u002F0000-00_photography","\u002Fimgs\u002F0000-00_photography\u002Fp0_dr_thumb.avif","iX-j-o2_bjCaVHfZZRhuwnus7xbGxItaLrS7bxH1_xk",1786439735693]